I’d like to extend a warm welcome to Wendy D. Walter. Wendy is a fellow member of California Writers Club, San Francisco/Peninsula Branch. Be sure to enter her contest for a free copy of Ambril’s Tale: Return of the Dullaith. There are also grand prizes. See the details listed below. Congratulations on your novel, Wendy! 12/6/12 Guest Post from Ambril’s Tale, Return of the Dullaith Stumbling on Wellies and my Welsh heritage A few years back, I was aimlessly zipping around the internet, looking for a good book to keep me out of trouble, when I stumbled upon a genealogy site. It claimed that in just a few clicks, my true heritage would be revealed. I laughed…but of course I had to try it. I was shocked when, with just a few clicks, I really did find myself back in a small Welsh village, where my ancestors had stumped around in Wellies, and whatever came before Wellies, for nearly 500 years. It was a little place, a village called Trelawnyd. I expect if you’re European or Asian, ancestral roots that go that deep might be a yawn. But for me, a child born of the American melting pot, it was intoxicating. Suddenly, I had history, a heritage! I giddily began researching all things Welsh: rain, sheep, their obsession with consonants, rain and, of course, my ancient ancestors, the Celts. Move over Lion King The Great Tree of Life, the Celt’s version of the Lion King, popped up almost immediately. A Celtic saying, As above, so below, conveys the balance of nature, by using a tree with its branches and roots entwined as its symbol. It resonated with me. I tried to imagine what a village, filled with people who looked like my stodgy grandfather would feel like. I knew, first hand, how tough it would be for a sunny Californian like me to move to a tiny Welsh village. Not knowing the customs or politics, how long before I put a foot wrong and was barred from the one and only pub in town? I wouldn’t last a week. Having weathered a move from California to Utah as a kid, I knew something about how it felt to suddenly find that, overnight, you were suddenly perceived as some sort of alien creature. And I remembered how much it had hurt when I changed everything about myself, just to fit in. A Village called Trelawnyd Slowly, the concept of building a story around that long ago move, with a nod to my ancestors, started to gel. In Ambril’s Tale, Return of the Dullaith, Ambril moves from San Francisco to a village in the middle of nowhere, and struggles to unlock the mystery of her heritage. Ambril’s family crest is a version of the Great Tree of Life. Her friends’ names, Ygg Drasil and Sully, (short for Iramsul), are names also used for the Great Tree of Life. And where does Ambril’s Tale take place? You guessed it; it all takes place in a small, fictional village of Trelawnyd, California. Ambril’s Facebook page Wendy D. Walter on Twitter Ambril’s Tale, Return of the Dullaith on Amazon Some of the Illustrations for Book One are available here: About Ambril’s Tale, The Return of the Dullaith Fourteen-year-old, Ambril struggles with the mystery surrounding her father’s death when she moves back to the mysterious town where she was born. When she accidentally uncovers a secret which threatens to destroy her entire family, she continues her quest, against all odds, to clear her father’s name. But will she be able to claim her magic and and heal the rifts in her family? Ambril’s Tale, The Return of the Dullaith has received great 4-5-star reviews. Readers are impatiently demanding Book Two, which will be out early Spring 2013. At each blog stop on her tour, Wendy is giving away a prize, a copy of one of her books (paperback or e-book). You can also enter her 12-12-12 Grand Prize Giveaway of a sterling silver pendant of the Tree of Life, and an End-of-Tour Grand Prize Giveaway of a hand-painted gnome, hand-painted by Wendy herself! There will also be some surprise giveaways along the way! Stay tuned! 1) To win a book: leave a comment on this blog post about what you like about trees to be entered to win a copy of Ambril’s Tale: The Return of the Dullaith in paperback or e-book format. Be sure to leave your email address in the comments so we can contact you if you’re the lucky winner. This giveaway ends five days after the post goes live. 2) To win one of the Grand Prizes: Click the link to go to Wendy’s website and enter the Rafflecopter at the bottom of the page. A winner will be selected on Dec. 12th for the 12-12-12 for the sterling silver pendant of the Tree of Life. Here’s Wendy’s site: http://wendydwalter.com/blog-tour/. About The Author: Wendy D. Walter Writing was an early passion for Wendy. As a kid, she wrote lots of stories, but being shy, they usually ended up under the mattress. When she finally set out to tell Ambril’s Tale, she decided not to write a story but a world, full with her own marvelous illustrations. She considers The Return of the Dullaith as just the curly tip of the fairy boot. Wendy lives near San Francisco with her husband, daughters, cat and border collie. For more information about Wendy’s book and art, check her site: http://wendydwalter.com. http://www.amazon.com/Ambrils-Tale-Return-Dullaith-ebook/dp/B008EALE3A/ https://www.facebook.com/ambrilstale http://www.goodreads.com/author/show/6472928.Wendy_D_Walter
Wendy D. Walter
written and illustrated by Wendy D. Walter
Wendy’s Facebook page
Wendy’s blog: WendyDWalter.com
Ambril’s Tale, Return of the Dullaith at Barnes and Noble
Giveaway Info
Links
Free Horror Writer’s Workshop (and opportunity to have Horror Addicts podcast your work)
Horror Addicts Writer’s Workshop Announcement!
Posted for Emerian Rich on November 28, 2012
Horror Addicts Writer’s Workshop Announcement!
Deadline: December 31st, 2012, 11:59pm PST.
This is an opportunity for aspiring horror or like-genre writers to have their work critiqued by professional writers based on story structure, plot, style, and character development. One lucky writer will have their work produced for a HorrorAddicts.net show for Season 8 in 2013.
Submission criteria:
1) This workshop is free.
2) You must state you if you are under 18 at the time of submission. If you are a minor, you will be entered in the junior league workshop. We will not accept stories from children younger than 13.
3) By submitting to the workshop, you are stating this work is yours and yours alone and that you may submit it legally without publication ties. The work cannot be previously published in any form.
4) Stories must be Gothic, Horror, Steampunk, Clockpunk, Fetish, Dark Fantasy, Horror Romance, or have a horror element of some kind.
5) All submissions must be emailed to horroraddicts@gmail.com no later than December 31st, 2012, 11:59pm PST.
6) Submissions can be excerpts from a novel, up to 4,000 words, or can be a complete short story, no more than 4,000 words. Excerpts from a novel, must include the first chapter.
7) Manuscripts must be presented in the following format:
a) Font size 10 or 12 point
b) Font style Courier or Times New Roman
c) Double spaced
d) 1st page header to state: author name, email address, type of story, and word count.
e) Following pages header to state: author name, story name, and page number.
f) Your manuscript must be in either PDF or RTF Format.
g) No more than 4,000 words.
h) In the body of the email, give us 100 words or less about you – a bio.
i) In the subject of the email state: HA WRITER’S WORKSHOP
8) We will review the first 20 manuscripts absolutely, after that, it is based on the number of pros available. Manuscripts are first come, first serve. If you do not receive an email stating your manuscript was received within two weeks, please send a polite query to: horroraddicts@gmail.com.
9) For any other questions, please email: horroraddicts@gmail.com
The Life of Pie: A Post-Thanksgiving Reflection (by Laurel Anne Hill)
The Life of Pie
Out of the oven
Flaunts its flaky crust,
Tinged with golden brown.
Pumpkin, chocolate, pecans or apples,
The siren on the countertop calls.
Oven-baked pheromones entice,
Satisfaction a mouthful away.
On the dessert plate
Feigns such helplessness,
Yet it controls all.
Dares you to finish every morsel,
Even if your stomach has no room.
Your tongue licks the China plate,
And the victory is complete.
From the refrigerator
Begs for your embrace,
A lover cast aside.
You transfer an insignificant slice,
To a plate with a cracked, plain finish.
Soggy crusts have no power,
For the mighty bathroom scale rules.
Laurel Anne Hill
HEROES ARISE: A beautiful review by Colony Library Lady

Five years have passed since KOMENAR released my award-winning debut novel, “Heroes Arise.” Today, I chanced upon a lovely book review for “Heroes Arise” on the Colony Library Lady website.
To read the review, go to: http://colonylibrarylady.com/2012/10/29/heroes-arise
To view my book trailer for “Heroes Arise,” go to: http://www.youtube.com/watch?v=GXqXLOecKlU
To listen to podcasted chapters of “Heroes Arise,” go to: https://itunes.apple.com/us/podcast/welcome-to-my-bedroom-closet/id331538997
“Heroes Arise” is suitable for readers ages 9 – 90. This book would make a great holiday gift. “Heroes Arise” is available on Amazon (http://www.amazon.com/Heroes-Arise-Laurel-Anne-Hill/dp/097720815X) and Barnes & Noble (http://www.barnesandnoble.com/w/heroes-arise-laurel-anne-hill/1100309886).
Have a wonderful day!
Warm wishes,
Laurel Anne Hill
“Shanghai Steam” (Steampunk-Wuxia Anthology) Blog Tour Links

Hi all,
Over the next week or so, I’ll be posting links to blogs about the new “Shanghai Steam” anthology. Return to this post of mine for updates, please.
Post for November 1, 2012:
Countries…Culture…the Wicking Effect by Raye Dean
http://ageofsteam.wordpress.com/
Post for October 27, 2012:
James Ng is the talented artist who created the cover for the “Shanghai Steam” anthology. http://www.thegildedmonocle.com/2012/10/27/steampunk-artist-james-ng/
Posts for October 25, 2012:
Flying Fists and Frying Pans – The Martial Art of Writing
Sean Taylor’s blog hosted a Shanghai Steam post about crafting fight and action scenes: http://seanhtaylor.blogspot.
Book Trailer for Shanghai Steam: http://www.youtube.com/watch?v=liLb31mHpRs
Speaking about Humanity… A Reflection by Laurel Anne Hill, Author of “Moon-Flame Woman” (in the Shanghai Steam Anthology)

“Names are humanity,” posted Rich Maggiani on his blog in 2009. “Names create a connection that moves beyond the mundane, the everyday transactions of life.”
I agree. Few of us would prefer being addressed as “Mr. 2271” or “Ms. H7m4Y.” Our traditional surnames and given names express our identities in a manner various identification numbers and electronic passwords simply can’t.
In “Moon-Flame Woman” (my short story included in the Shanghai Steam Anthology), my main character is Cho Ting-Lam. Cho is her family surname. Ting means graceful. Lam, a variant of Lin in some dialects, means beautiful jade. Yet Cho Ting-Lam hears her own lovely name spoken only within her mind. First of all, she’s disguised as a man. Furthermore, to the Central Pacific Railway–her employer–she has no name at all.
History tells us that the Central Pacific hired as many as 23,000 Chinese workers between 1864 and 1869, as that company built the western section of the U.S. Transcontinental Railway. The Central Pacific couldn’t–or wouldn’t–cope with documenting so many Chinese names. The limited number of phonetic versions they did record belonged to Chinese labor contractors (headmen). Cho Ting-Lam’s “employee name” probably would have been a shared number: the number of her work gang.
Please note that I didn’t incorporate most of the above details into “Moon-Flame Woman.” Such information wouldn’t have moved Ting-Lam’s story forward. Survival and restoration of personal dignity (unrelated to her name) concern Ting-Lam far more than what barbarians choose to call her. She’s trying her best to unleash the true power of her moon-flame gun. Still, the prejudice of American railroad men in the nineteenth century belittled the humanity and individual worth of their Chinese employees, and on more than one level. Those interested in the topic should read William F. Chew’s book: Nameless Builders of the Transcontinental.
Speaking of identification, the Central Pacific did not record the deaths of the approximately 1,300 Chinese laborers who perished on the job during the California-to-Utah construction process. The loss of those lives was documented primarily through an 1870 newspaper article. A train had carried 20,000 pounds of bones–the unidentified remains of about 1,200 workers–to be returned to China. In the nineteenth century, railroad construction was a risky business.
Ting-Lam, in “Moon-Flame Woman,” finds the touch of a male coworker embarrassing, even when that man pulls her to safety before an explosion. I suspect the prospect of having her bones jumbled together with those of 1,199 men would not have pleased her. I can even envision her spirit warming from shame. More than names comprise humanity.
Warm wishes,
Laurel Anne Hill
Author of the award-winning novel, Heroes Arise
http://www.laurelannehill.com
